The promo video for the Sikth song 'Scent of the Obscene'. We didn't make this video per se, we provided the super 8 footage. The majority shows Mike and Tim dressed in boiler suits with angel wings. It was shot by Dexter and was initially used as a template for his Azazello series of oil paintings.
SSS Live at the Liverpool Barfly. This is the infamous 'pigs head' performance from the show with Municipal Waste and Evile back on August 7th. This was edited by Will Sansom.
A trailer for the forthcoming Earache DVD release Hate Eternal "The Perilous Fight".
Featuring a live video and interview produced by Muckspreader Productions and three other promo videos and other extra features.
The promo video for Comrades in Tears by the London based instrumentalist group Capricorns. Shot entirely on super 8 time lapse, the video delves in the dreamscape of a young virgin bursting with curiosity.
An alternative edit of the 'Peepshow' video for Sikth. The original edit was rejected and so a new version was cut incorporating lots of archive super 8 footage. Annoyingly this version was rejected too!
My Ruin Live Video from the Mean Fiddler show on Jan 18th 2006.
The crew for this one was: Tim Darach, Anna Li, Mike Ward and Paulie Cocadiz - cameras. Dan Roberts - Live Sound, Editor - Paulie Cocadiz, Director etc - Mike Ward.
The promo video for the Keelhaul song 'Cruel Shoes'. This was shot in a rehersal room in Walthamstow in London straight after their London show at the Camden Underworld.
The promo video for the song "Answer to Everyone" by Murder One. Featuring Paul Catten and Johnny Morrow on vocals, Jim Palmer and Mark Seddon on Guitar, Jammer on drums and Jon on bass. This was the second video we made back in May 2002. It was also the first to be aired on TV.
The original video for Peepshow shot entirely on super 8. This version was eventually rejected by the band and record label, but is an intreguing short film.
The promo video for the landmine Spring song "Broadsided". This video was fun to shoot, the band played to a backing track at half the normal speed, then we sped it up during the edit.